Get ready, Chicago, for a hilarious and thought-provoking theatrical experience! The Broadway sensation, 'Oh, Mary!', is packing its bags and heading your way as part of a highly anticipated national tour.
But wait, there's a twist! This isn't your typical feel-good comedy. 'Oh, Mary!' delves into the life of a complex and often overlooked historical figure, Mary Todd Lincoln, during one of America's darkest periods. And it does so with a unique blend of absurdity and a queer perspective.
Written by the talented Cole Escola and directed by Sam Pinkerton, the play shines a light on the First Lady's struggles with alcoholism and unfulfilled desires in the lead-up to her husband's tragic assassination. It's a bold move to portray such a character through the eyes of a self-proclaimed idiot, but it's this very lens that has critics raving.
Since its Broadway debut in July 2024, 'Oh, Mary!' has shattered box office records, becoming the first show of the 2024-25 season to turn a profit. It's a commercial success story, grossing over $1 million in a single week at New York's Lyceum Theatre, according to Deadline. But it's not just about the numbers; the show has also received critical acclaim for its unique take on history.
The production has already made waves in London's Trafalgar Theatre, and now Chicagoans can look forward to experiencing it too. The tour will commence in Hartford, Connecticut, and travel to major cities like Boston, LA, and DC, with Chicago on the list, although the exact date and venue remain a mystery for now.
The role of Mary Todd Lincoln has been portrayed by a diverse cast, including Escola, Jinkx Monsoon, Betty Gilpin, Tituss Burgess, and Jane Krakowski. And the upcoming Lyceum Theatre run will feature John Cameron Mitchell, adding another layer of intrigue to the production.
So, Chicago, are you ready to laugh, cry, and question your understanding of history? Keep an eye out for the tour dates and be part of this theatrical journey. And don't forget to share your thoughts: Do you think it's important to portray historical figures with such unconventional approaches? Is there a risk of trivializing history, or is it a refreshing way to engage new audiences?
